ADVANCED PRODUCTION
STEP 2: ADVANCED PRODUCTION POOL- Click on the course number of each class that you wish to apply for to generate an interactive .PDF application
- Fill out and print an application for each course you wish to apply for
- CLICK HERE to download a Choice Form (.PDF 172Kb)
- Fill out and print the Choice Form
- Staple each appliction and corresponding materials (if requested) together
- Bundle all of your applications and the Choice Form together with a paper clip (DO NOT STAPLE)
- Completed applications and a Choice Form are due to FA 422 by MONDAY, APRIL 28th, 5:00pm.
- Applications may also be placed in Ray Rea's mailbox in the Cinema Department office, FA 245.
Advanced
Production Cinema Classes
Fall 2008
Fall 2008
| Course | Title | Day/Time | Faculty |
|---|---|---|---|
| CINE 423 | Intro Digital Filmmaking | TBD | TBD |
| Covers the aesthetics and production techniques of filmmaking using digital tools and processes. | |||
| CINE 510 | Directing | Wed 1-7 | Goldner |
| Covers the function of the Director, the manipulation of space and time, problems of continuity, script planning and blocking, handling crew. This class is a laboratory. | |||
| CINE 519 | Soundstage Workshop | Sat 9/13, 10a-5p | TBD |
| Covers safety and operation of Cinema Soundstage. Students taking this course are expected to serve as Soundstage Managers for Fall 2008. | |||
| CINE 520 |
Proj Post Prod Sound |
Wed 9-4 DTC |
Jackson |
| Covers the preparation and editing of multiple sound tracks, recording and mixing of sound using studio recordings consoles, and the evaluation of sound/picture relationships. | |||
| CINE 522 | Projects: Film Editing | TBD | TBD |
| This course covers the aesthetics and practice of digital video editing using Final Cut Pro. | |||
| CINE 523 | Exploring Interactive Cinema | TBD | Millsapps |
| Conceptualization, production, and presentation of cinema using interactive digital tools and processes. | |||
| CINE 524 | Digital Sound for Film | Thurs 2-5, CA 115 | Jackson |
| This is a lecture class covering the design, production, and analysis of sound for cinema using computer-based technologies. | |||
| CINE 525.1 | Cinematography | Tues 4-10, FA 438 | Clark |
| Covers the skills and aesthetics of cinematography and lighting. | |||
| CINE 527 |
Documentary for
Social Justice |
Fri 9-4, FA 438 |
Snider/Poulain |
| This is a
collaborative class between
Cinema and Public Health in which students will research the role of
social and economic conditions as a cause of disease and disability,
learn to use the medium of Cinema to participate in public dialogue,
and examine how documentary can be used as a community-building tool.
Students will complete pre-production, production, and post production
on a social issue documentary. |
|||
| CINE 551 | 2D Digital Animation | Tues 9-4, DTC | Gorzycki |
| Introduction to contemporary 2D digital practices in narrative, documentary, and experimental animation. Theory in relation to animation vocabulary combined with hands-on digital projects. | |||
| CINE 595 | Visual Anthropology | TBD | Biella |
| Introduction to ethnographic digital video production. This course is coupled with a Spring 2008 course. An application for this course represents a commitment to also take the Spring 2008 editing course. | |||
| CINE 620 | Advanced 16mm Production | Fri 9-4, Mon 9-12 | TBD |
| Narrative short film production. Each 620 student goes through script development, pre-production, and production on their own 16mm short film. An application for this course represents a commitment to also take the Spring 2008 editing course. | |||
